It’s about the different perspectives
In the film industry, working with various perspectives during a shoot is crucial. It’s not always about high-end quality; the idea behind the shot matters most. Using different cameras, including GoPros, adds dynamic angles and unique viewpoints that traditional cameras might miss. These versatile tools capture the essence of action scenes, bringing creativity and authenticity to the film. By embracing multiple perspectives, filmmakers can tell a more compelling story, engaging the audience on a deeper level. The diversity in camera use, combined with innovative ideas, elevates the cinematic experience beyond mere technical excellence.
The shoot requires a lot of communication
Communication between the director and the Director of Photography (DoP) is vital in filmmaking. The constant alignment between the director’s vision and the DoP’s execution ensures the film’s success. The director conveys the story, mood, and emotional tone, while the DoP translates these ideas into visual imagery. Regular discussions and feedback sessions help in fine-tuning scenes, ensuring that every shot aligns with the director’s intent. This collaborative process not only enhances the film’s aesthetic but also maintains coherence in storytelling. Effective communication fosters a creative partnership, turning a shared vision into a cinematic reality.
What’s next?
After the shoot in South Africa, we had to move straight to Canada to film a winter commercial for White Claw without any break. The job was stressful but incredibly rewarding and beautiful. The contrast between the sunny landscapes of South Africa and the snowy scenery in Canada was striking. Despite the tight schedule and intense workload, the experience was enriching. Working in such diverse environments pushed our creative boundaries and enhanced our skills. The breathtaking winter scenes we captured made all the effort worthwhile, leaving us with unforgettable memories and a sense of accomplishment.
Photos by Alex Grymanis
Credits Campagne:
CAMPAIGN TITLE: White Claw “The Next Wave Is In Town”
CLIENT: Mark Anthony Brands International
ADVERTISING AGENCY: VCCP
CREATIVE DIRECTOR: Laura Muse
ART DIRECTOR: Tomás Azoubel Lima
COPYWRITING: Ana Marques
BUSINESS DIRECTOR: Gary Bonsels
ACCOUNT DIRECTOR: Trishika Ramrakha
PLANNING DIRECTOR: Tiffany Mondesir
AGENCY CREATIVE PRODUCER: Slavica Delevic
MEDIA BUYING AGENCY: The Kite Factory
MEDIA PLANNERS: Anthony Abou-Zeid, Alastair B., Emily Smith
PRODUCTION COMPANY: Girl&Bear
DIRECTOR: Simon Thussbas @ Mischfabrik GmbH
DOP: Daniel Gierig @ Mischfabrik GmbH
ASSISTANT DIRECTOR: Daniel @ Framed
SECOND CAMERA: Marco @ Framed
PRODUCER: Sam Breen
EDITOR: Syd Harvey @ Girl&Bear
EXECUTIVE PRODUCER: Simon Plant
POST-PRODUCTION COMPANY: Girl&Bear
POST PRODUCER: Mehmet Altar
COLOURIST: Syd Harvey @ Girl&Bear
AUDIO POST-PRODUCTION COMPANY: Jungle Studios
SOUND ENGINEER: Luke Isom
PHOTOGRAPHER: ALEX GRYMANIS
Fresh Take
